Review: Gatsby at Groundlings Theatre
Scott Fitzgerald’s novel The Great Gatsby will be 100 years old next year, and its timeless themes of wealth, power, love and loneliness have intrigued audiences ever since. This new production from Groundlings Theatre imaginatively rewrites the American classic for the theatre, and is a must-see whether you’re familiar with the story or discovering it for the first time.
The story
Set in the hedonistic excess of 1920s New York society, the plot unfolds through the eyes of young businessman Nick Carraway. As he gets to know his mysterious new neighbour, self-made millionaire Jay Gatsby, it transpires that Gatsby is pining for his former sweetheart Daisy who also happens to be Nick’s cousin. Decadent parties, dubious behaviours and a lovers’ reunion ensue. However, it proves impossible for the couple to recapture the relationship of their youth and the story ends in tragedy.
Transported to the roaring 1920s
For me, the genius of the Groundlings production is in how confidently it grabs hold of Gatsby’s story and convinces you it was written for the theatre.
Great thought has been put into the set, which also makes great use of the historic building. Every detail – from the stylish balloons at the entrance to the auditorium laid out as a cabaret club – immediately transported us to a decadent 1920s party. We particularly enjoyed the immersive start in the bar and felt we were part of the show, as the cast arrived in their 20s costumes and mingled with the audience before leading us all upstairs.
A steady flow of music and dance continued to bring life and energy throughout the performance. Julie Faye’s choreography was a particular highlight and the ensemble of dancers was a real treat, led by an excellent Summer Tewkesbury and exceptional Henry Chandler who oozed sass throughout.
Local actors in their element
We were in no doubt that the cast – which includes a number of excellent local actors – were enjoying themselves as much as we were.
I imagine the role of narrator Nick Carraway – so important to the story – is a demanding one for any actor to fill. However, Ryan Moss steps up to the job superbly and delivers a flawless performance that holds our attention throughout.
April Singley is simply excellent as Daisy Buchanan and I found myself rather in awe at how successfully she brought out so many different moods and dimensions of her character. The onstage chemistry between her and Joseph Scatley, who plays Gatsby, is also electric.
Among the other main characters, Francesca McCrohon’s impressive performance as Jordan Baker feels effortless and Peter McCrohon brings the brutish Tom Buchanan to life with presence and gusto. Sooz Ball is also a pleasure to watch as the nervy Myrtle.
The Lowdown
Gatsby is a thoroughly entertaining show. It’s a refreshingly original take on a classic story which seamlessly blends drama and dance and makes you feel like you’re part of the action. Indeed, there’s scope to develop the immersive approach even further and I’d love to see more of this in future productions.
While I feel that the direction could have been slightly pacier at times, the strong script and an impressive cast of actors and dancers will be sure to engage you and hold your attention. In fact, I suspect Gatsby is a party you’ll remember for a while! Gatsby runs until Sunday 28 April at Groundlings Theatre. Adult tickets cost £16.50 and are available via their website.
